NewBlue Motion Effects 3 v3.0.140807 Crack 2023 – Dynamic energy effects for fast-paced and action scenes. NewBlue Motion Effects adds action and energy to your scenes. This collection of 100 effects in 10 specialized video filters adds movement to your images through a variety of proven motion techniques, such as spin, roll and shake. Using NewBlue Motion Effects, you can simulate an earthquake, blur the images, ripple the frame and warp the image to increase the energy level or create action effects.
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The product is available for all major video editing software platforms, including Adobe After Effects, Adobe Premiere, Adobe Premiere Elements, Adobe Premiere Pro, Apple Final Cut Pro, Apple Final Cut Express, Avid Media Composer, Avid NewsCutter, Avid Symphony, Avid Xpress, Avid Liquid, Corel (formerly Ulead) VideoStudio, Pinnacle Studio, Sony Vegas, Sony Vegas Movie Studio and Thomson Grass Valley EDIUS.
This collection includes:
– Active Camera simulates every variety of camera jitter, from agitated hand-held to jackhammer or a gentle train ride.
– Earthquake recreates the chaos of an earthquake by moving, rotating, and blurring the image to simulate the effect of a shaking camera.
– Motion Blur recreates the blur caused when either an object or the camera moves quickly.
– Ripple simulates concentric circles of water rippling in a pond.
– Rolling Wave s simulates water waves washing across the image.
– Shear Energy shears and blurs the image on two axes.
– Spin Blur rotates and blurs the image around any point in the picture.
– Warp distorts the image in a seemingly random way.
– Wiggle creates a wiggling effect by moving the picture side to side in a rippling pattern, oriented either vertically or horizontally.
– Zoom Blur simulates a sudden camera zoom on every frame, adding motion blur which can be adjusted up or down for dramatic effect.
In July 2008, I reviewed NewBlueFX’s first foray into the AVX world…simply called NewBlueFX. This was at a time when third-party support for Media Composer was on a bit of a decline and I was interested in finding out about this little company that was taking a chance with Avid when they were already successfully supplying filters for several other platforms.
At the time, I found the collections to be a kind of “Wild West” assortment of various FX, ranging from transitions to “looks” to motion effects with a wide (and somewhat rambunctious) scattering of oddities in between. While unique, it was sometime hard to separate the wheat from the chaff as startling new effects were intermixed with a lot of retro and “blah” looks not quite up to primetime standards, and there was little organization between them.
What a difference a few years makes!
Redesigned and retooled (along with NewBlue’s dynamic new Website) TotalFX is a complete overhaul and repackaging of their entire line, including the robust Titler 3 — itself a capable, powerful titling solution. The entire suite adds up to a comprehensive and expansive collection. It puts all previous suites under one umbrella and adds some new tricks. If you are a previous NewBlueFX user/purchaser, NBFX offers substantial discounts for upgrading to this new release.
There’s a lot of reworking under the hood.
NewBlue went through their entire collection of effects with a fine-toothed comb, throwing out a lot of questionable oddities, obsolete and redundant effects, reorganizing the myriad groups into useful and descriptive categories, streamlining, retooling code, adding more control and, especially useful, adding a ton of new presets.
Additionally, all effects are resolution independent and are 100 percent GPU accelerated and anti-aliased. Also added are drop-shadows on 3D effects. And, as is the trend through the industry, almost all effects are realtime. Top that off with Titler 3 and you have a very capable package of effects.
I can’t call this a wholly-new product, more of a comprehensive upgrade. Nonetheless, it has a lot of power packed into a tidier package.
Perhaps one of the best features of this new implementation is the creation of a robust Application Manager. (Those acquainted with Avid’s new App Manager will find a lot of similarities.)
The App Manager allows easy installation, activation and record keeping of what NewBlueFX products you already have, version numbers and activation codes. It also makes it easy to get upgrades or other products in the NewBlue family. This is a welcome new development — I hope to see other manufacturers follow suit.
When I wrote the initial review, I noted many unique looks, especially in transitions that weren’t seen in other packages: stylizations that could be customized to give a show it’s own distinct signature. They are still apparent here, and I’m still surprised more editors and shows aren’t noticing. You have a lot to play with.
The entire suite is broken down into six self-explanatory groups:
ELEMENTS: Consists of 21 compositing tools, including a powerful chroma keyer, drop shadow generator, various split screen and PIP effects, a very useful and oft-requested video camera reticle generator, clocks and timers. Of note is the Active Camera filter, which effectively simulates handheld camera weave without having to add keyframes. Reflection also simplifies the process to create the popular mirrored reflections now in vogue.
ESSENTIALS: Incorporates 24 plug-ins in a veritable Swiss Army knife for common video needs ranging from color correction, lens correction, flash remover, skin enhancer, various video scopes for image analysis, selective focus, detail and edge enhancers, various proportion templates, legal level metering and much more.
FILTERS: With 22 effects with 250 presets (Including Colorfast — a really nice and effective white balancer), this package has a variety of image processing tricks ranging from fully adjustable Tilt-Shift and film stock looks to OK TV raster effects, lens distortion and an excellent Vignette drop-on. (I would like to see future attention paid to adding more film and video artifacts in this package.) Also missing are digital damage artifacts, digital noise…things that are hugely popular in post today. Despite these oversights, it’s still a strong package, especially for the money.
STYLIZERS: Incorporating 23 filters with 250 presets. As an editor, I found a few unusual gems in here. From subtle painting effects to esoteric cartooning, there a vast array of looks — both surreal and impressionistic. I found RGB Shift to be one of the more contemporary and useful filters — breaking apart the channels is a great sci-fi’ey trend. There are some nice light ray effects as well as zoom blurs. Frame Rate turns your moving video into an array of stills, an effect that used to be very time intensive. Stylizers is the main module to create your unique look.
TRANSITIONS: It seems all the major filter companies are doing much more with transitions as increasing numbers of productions want to sizzle up their looks. NewBlue offers 37 transitions that run the gamut from light rays to RGB offsets, film rolls to glows with plenty of presets There is a lot of uniqueness here but, honestly I’d like to see even more additions — fluttercuts, edgier transitions, digital noise and static, along with greater diversity in control parameters.
LAST BUT DEFINITELY NOT LEAST: TITLER PRO 3
When I first reviewed Titler Pro in 2012, I reflected that this should have been what Avid’s long-standing and outmoded Title Tool should have been in the first place. It’s only gotten better and stronger with time and in many ways has supplanted the Title Tool.
Video Editing Host Compatibility:
Adobe After Effects CS5/5.5, CS6/6.5, CC
– Adobe Premiere Elements** 3.0
– Adobe Premiere Pro CS5/5.5, CS6/6.5, CC
– Avid Media Composer & Symphony 5, 6/6.5, 7
– Avid Studio**
– Corel Video Studio** X3+
– Grass Valley Edius 5/5.5, 6/6.5, 7
– Magix Movie Edit Pro/Plus/Premium** 17
– Magix Video Pro** X3+
– Pinnacle Studio** 12+
– Sony Vegas Pro 9, 10, 11, 12 (64-bit OpenFX/DirectX)
– Sony Vegas Movie Studio 9, 10, 11, 12, 13 (64-bit OpenFX/DirectX)
(**Works in CPU mode)
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